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    Manufacturer: Gardners Books

    Herbert Ponting : Scott's Antarctic Photographer and Pioneer Filmmaker

    £16.99
    Herbert Ponting (1870-1935) was young bank clerk when he bought an early Kodak compact camera. By the early 1900s, he was living in California, working as a professional photographer, known for stereoview and enlarged images of America, Japan and the Russo-Japanese war. In 1909, back in Britain, Ponting was recruited by Captain Robert Scott as photographer and filmmaker for his second Antarctic expedition.
    ISBN: 9780750979016
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    Published: March 2021


    In 1913, following the deaths of Scott and his South Pole party companions, Ponting's images of Antarctica were widely published, and he gave innovative 'cinema-lectures' on the expedition. When war broke out, Ponting's offers to serve as a photographer or correspondent were declined, but in 1918 he, Ernest Shackleton and other Antarctic veterans joined a government-backed Arctic expedition. During the economically depressed 1920s and 1930s, Ponting wrote his Antarctic memoir, re-worked his Antarctic films into silent and 'talkie' versions and worked on inventions.

    Like others, he struggled financially but was sustained by correspondence with photographic equipment magnate George Eastman, a late-life romance with singer Glae Carrodus and knowing that his images of Antarctica had secured his place in photographic and filmmaking history.

    Published: March 2021


    In 1913, following the deaths of Scott and his South Pole party companions, Ponting's images of Antarctica were widely published, and he gave innovative 'cinema-lectures' on the expedition. When war broke out, Ponting's offers to serve as a photographer or correspondent were declined, but in 1918 he, Ernest Shackleton and other Antarctic veterans joined a government-backed Arctic expedition. During the economically depressed 1920s and 1930s, Ponting wrote his Antarctic memoir, re-worked his Antarctic films into silent and 'talkie' versions and worked on inventions.

    Like others, he struggled financially but was sustained by correspondence with photographic equipment magnate George Eastman, a late-life romance with singer Glae Carrodus and knowing that his images of Antarctica had secured his place in photographic and filmmaking history.

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